Azure By Nazuk

In 2011 TechNavio conducted a research and forecasted that the Global 3D Animation Software market will grow of 17.4 percent over the period 2010–2014.

Now, standing on the cusp of 2014 it is time to admit that 3D animation has become a rapidly growing phenomenon, worth around $40 billion globally.

The rapid growth of 3D animation technologies and methods of creation and delivering 3D content leads to further improvement of 3D animation products and fuels creative minds behind them. New possibilities extend the boundaries of 3D animation application making it widely utilized by many areas, such as gaming, marketing, movie industry and even architecture and education.

The prospects of 3D animation are truly massive. The following trends will continue to influence the growth of 3D animation in 2014.

3D Animation Software Trends

Modern 3D animation software is an intricate and powerful tool with rich features.

We offer an overview of Top 3D Animation Software of the future:

Autodesk Maya – can simulate more materials than any other 3D animation software.
Autodesk 3ds Max –professional software with innumerable features.
Autodesk Softimage – a perfect tool for rapid animation.
Cinema 4D – easy to learn software.
Houdini – allows easy rendering of gasses and clouds.
LightWave - provides possibility to record digital footage with real-life gestures.
Modo – a highly customizable toolset.

3D Animation in Branding and Advertising

As advanced technology progressively add the third or often even the fourth dimension to objects, which have previously had only two dimensions, it is essential for businesses to stay up-to-date. Major brands have already benefited from using 3D animation or animated elements in their brand logo. Volumetric representation of ideas or concepts creates the atmosphere, adds emotion and personality to the brand logo.

The automotive industry will continue to use 3D modeling and animation to effectively showcase their products and vehicles. 3D allows achieving the unprecedented degree of realism, getting seamless and spectacular shots that would be impossible to get with traditional camera shooting.

As opposed to traditional shooting, 3D camera movements have no boundaries. Sometimes 3D animation is used not only to showcase the advertised object, but also to create the required atmosphere, add style and glamor to it.

3D Animation in Entertainment Industry

Adoption of 3D animation in the entertainment industry continues to contribute to the rapid growth of 3D animation.

A growing number of Hollywood movie studios are investing in 3D modeling and animation due to its high spectator value and endless possibilities opening for both script writers and film-makers.

Outsourcing Trends

3D animation is gaining momentum rapidly. One of the key factors contributing to this rapid growth is increasing affordability of 3D animators’ services.

A growing number of the US and European companies are sending their animation project development overseas to developing countries such as Ukraine, India, and Brazil to lower development costs and still get high-quality outcome. And this tendency will continue to grow in 2014.

Pixar is a CGI production company based in Emeryville, California, United States. The studio has earned numerous awards for their feature films and other work, including 26 Academy Awards, five Golden Globes and three Grammys. Pixar is best known for CGI-animated features created with PhotoRealistic RenderMan, its own implementation of the industry-standard Renderman image-rendering API used to generate high-quality images.

As of June 2013, Pixar has released 14 films, all released under the Walt Disney Pictures banner. The company produced its first feature-length film, Toy Story, in 1995. The film won an Academy Award and was nominated for three others. The success of the film led Pixar to release a sequel, Toy Story 2, in 1999, following their second CGI production, A Bug's Life in 1998. Monsters, Inc. was the next project to be released in 2001, and the following six features Finding Nemo (2003), The Incredibles (2004), Cars (2006),Ratatouille (2007), WALL-E (2008), and Up (2009) were highly successful. The eleventh film, Toy Story 3 (2010), has become the second highest-grossing animated film of all time worldwide. Pixar's twelfth film is Cars 2 (2011), which is a sequel to Cars, the second film to have a sequel. Both movies, along with a fourteenth film Monsters University(2013), are the most expensive Pixar films to ever be produced, at an estimated budget of $200 million each. Its thirteenth film, Brave (2012), had an estimated budget of $185 million.

DISNEY & PIXAR MOVIES AND THERE FEVER

as we know there are different type of type faces which we use for our daily life
they are basically chracterised by their nature some trype face are classic
like they are ever green could be use anywhere and anytime.

Every now and again designers stumble upon the very same problem: the choice of a unique and beautiful typeface which manages to fulfill three basic tasks. Support the corporate identity, enrich the visual appearance and is compatible with the overall design. However, usually there are simply too many options you can consider, which is why you need time to find the option you are most comfortable with. Although the choice usually depends on clients’ requirements, it is necessary to have some pretty starting points for your font decision.

So which typefaces are “bulletproof”? What fonts can be used effectively in almost every Corporate Design? And what are the options for unique, but still incredibly beautiful typefaces?

We have answers. Over the last few days we’ve browsed through dozens of type foundries, read dozens of designers’ articles about typography, analyzed font rankings and visited bookmarked font-related suggestions. So this post has ‘em all. Well, OK, at least many of them.

Let’s take a look at gorgeous typefaces for professional design, based upon suggestions from designers and web-developers all over the world. Most screenshots are taken from the foundries and provided specimens – particularly on Veer.com andFontshop.com.

Classic Typefaces

Classics of typography in a brief overview. You will find even more traditional typefaces on the site 100 Best Fonts, including history, development and related information.

1. Helvetica

2. Helvetica Neue

3. Univers

4. Frutiger

5. Avenir

6. Myriad Pro

Precious Sans

THE TWO TYPEFACE WHICH INFLUENCE ME THE MOST ARE

1. HELVETICA

2. MYRIAD PRO

HELVETICA

Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with input from Edouard Hoffmann. It is a neo-grotesque or realist design, one influenced by the famous 19th century typeface Akzidenz-Groteskand other German and Swiss designs. One of the most popular typefaces of the 20th century, its use became a hallmark of theInternational Typographic Style that emerged from the work of Swiss designers in the 1950s and 60s. Over the years a wide range of variants have been released in different weights, widths and sizes, as well as matching designs for a range of non-Latin alphabets. Notable features of Helvetica include the termination of all strokes on exactly horizontal or vertical lines and unusually tight letter spacing, which give it a dense, compact appearance.

Developed by the Haas'sche Schriftgiesserei (Haas Type Foundry) of Münchenstein, Switzerland, its release was planned to match a trend: a resurgence of interest in turn-of-the-century grotesque typefaces among European graphic designers that also saw the release of Univers by Adrian Frutiger the same year. Hoffmann was the president of the Haas Type Foundry, while Miedinger was a freelance graphic designer who had formerly worked as a Haas salesman and designer.^[1]

Miedinger and Hoffmann set out to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage.^[1] Originally named Neue Haas Grotesk, it was rapidly licensed by Linotype and renamed after the Latin adjective for Switzerland.

Characteristics

tall x-height, which makes it easier to read in smaller sizes.

An oblique rather than italic style, a common feature of almost all grotesque and neo-grotesque typefaces.

two-storied a (with curves of bowl and of stem).

narrow t and f.

square-looking s.

bracketed top serif of 1.

rounded off square tail of R.

concave curved stem of 7

MYRIAD PRO

Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. The typeface is best known for its usage by Apple Inc., replacing Apple Garamond as Apple's corporate font since 2002. Myriad is easily distinguished from other sans-serif fonts due to its special "y" descender (tail) and slanting "e" cut. Myriad is similar to Frutiger.

Variations

Myriad (Type 1)

This PostScript Type 1 font family was released after the original Myriad MM. It initially included four fonts in two weights, with complementary italics. All these Type 1 versions supported the ISO-Adobe character set; all were discontinued in the early 2000s.

Myriad Condensed: It was a condensed version, released around 1998. The condensed fonts comprise three weights, with complementary italics.
Myriad Headline: A "Headline" version was also released, which has the weight of Myriad Bold, but slightly narrower.

Myriad Web

Myriad Web is a version of Myriad in TrueType font format, optimized for onscreen use. It supports Adobe CE and Adobe Western 2 character sets. Myriad Web comprises only five fonts: Myriad Web Pro Bold, Myriad Web Pro Regular, Myriad Web Pro Condensed Italic, Myriad Web Pro Condensed, Myriad Web Pro Italic. Myriad Web Pro is slightly wider than Myriad Pro, while the width of Myriad Web Pro Condensed is between Myriad Pro Condensed and Myriad Pro SemiCondensed.

The family is bundled as part of the Adobe Web Type Pro font pack.

Myriad Pro

Myriad Pro is the OpenType version of the original Myriad font family. It first shipped in 2000, as Adobe moved towards the OpenType standard. Additional designers were Christopher Slye and Fred Brady. Compared to Myriad MM, it added support for Latin Extended, Greek, and Cyrillic characters, as well as oldstyle figures.

Myriad Pro originally included thirty fonts in three widths and five weights each, with complementary italics. A "semi-condensed" width was added in early 2002,^{[citation needed]}expanding the family to forty fonts in four widths and five weights each, with complementary italics.

Myriad Pro Regular, Bold, Italic and Bold Italic are bundled with Adobe Reader 7 and 8. In Adobe Reader 9 and onwards, the fonts are included, but not installed in the system fonts directory.

Myriad Wild

Myriad Wild is an Adobe font package comprising the Myriad Sketch and Myriad Tilt fonts in Type 1 format. Myriad Sketch is a slightly irregular outline version of Myriad, while Myriad Tilt incorporates irregular stroke weight and paths. The family supports ISO-Adobe character set.

Myriad Wild Std

Myriad Wild Std is the OpenType version of Myriad Wild. It supports Adobe Western 2 character set.

MyriadCAD[

MyriadCAD is included in Adobe Reader 9 and is thought to be an implementation of the ANSI CAD lettering.^[1]

Myriad Currency

Myriad Currency is included in Adobe Reader 9 and is thought to be the company's embedded font for their currency typefaces. It can be found in the Fonts subfolder of the Resources folder under Adobe Reader 9 from the Program Files folder in the Local Hard Disk Drive.

Myriad Arabic

Myriad Arabic is an extension of Adobe’s popular humanist sans-serif typeface Myriad, bringing the sensibility of Myriad into another language and another writing system. Myriad Arabic is one of the first Arabic sans serif typefaces suitable for use in text. The family comprises five weights, from Light to Black, each with an accompanying italic. Myriad Arabic was designed by Robert Slimbach, with the help of Adobe’s technical team as well as outside Arabic experts. The principal outside consultant was Dr. Mamoun Sakkal. .^[2]

Myriad Hebrew

Myriad Hebrew is an extension of Adobe’s popular humanist sans-serif typeface Myriad, bringing the sensibility of Myriad into another language and another writing system. Myriad Hebrew is one of the most extensive families of Hebrew typefaces available today, comprising twenty different digital fonts: four weights, each with two italic complements; plus an informal cursive version, also in four weights, with both upright and slanted variants. Myriad Hebrew was designed by Robert Slimbach, with the help of Adobe’s technical team as well as outside Hebrew experts. The principal outside consultant was Scott-Martin Kosofsky.

Myriad Apple

Myriad Apple was designed for Apple Inc. to complement the Myriad Pro typeface and allow it to be used as a system font for Apple Inc.'s Macintosh computers that were non-compatible to the lettering format of the Myriad Pro typeface.

Myriad Set Pro

Myriad Set Pro font family was first embedded into Apple Inc.'s corporate website. It was also bundled with iOS 7 and Macintosh OS Yosemite. Myriad Set Pro is available in Regular, Bold, Thin, Italic, Ultrabold and Ultralight weights, and can be found in most of Apple's authentic websites and corporate products.

Kozuka Gothic

Kozuka Gothic is a Japanese typeface, designed as a sans-serif companion to Kozuka Mincho family. The Japanese letters were designed by Masahiko Kozuka and Adobe’s Japanese type design team. The Latin letters in Kozuka Gothic were adapted from Myriad.

Adobe Heiti

Adobe Heiti is a simplified Chinese typeface that borrows its Latin glyphs from Myriad. It is included with Adobe Illustrator CS3,^[4] Adobe Reader 8 Simplified Chinese font pack,Adobe Creative Suite 4.0.