Sunday 3 May 2015

MY MANIFESTO (final version)

This module was very useful and fruitful, giving all the 10 rules for my future here is my final design for my manifesto.










Wednesday 1 April 2015

Task9 my manifesto

Graphic design or communication design 
I would love to be called both but to become a successful graphic designer or communication designer i need to have these 10qualities 
1. Correct typeface
Selection of correct typo do matter i think its the most important part of a design 
So i believe correct typeface
2. Number one rule of life should be do what makes you happy life is a one time chance.

3. Take risk i think being little nutter doesn't mind at all taking risks make us more strong and we become more keen of doing things

4. Be Green be an ecosystem lover respect your environment and be green

5. Target audience 
Your main focus should be your design is basically for which age group

6. Research
It can help us to make a good design it gives us the basic knowledge of what is going around us

7.feedback
Ask people what do they like ask what you can improve remember sharing coukd be really fruitfull 

8. Sketch 
When ever you are thinking something just start doing the sketch because the things which we imagine or grab can make a big difference 

9. Love what you design
Design with full heart designs made with real affection are always great 

10. Good things
Yes good things do matter be happy calm peaceful be positive everything will go fine 







Wednesday 11 March 2015

task 8 design thinking sustainable design


Designers have shaped every aspect of the world we live in today. From the chair you're sitting in, to the window you may be peering out of, conscious thought was put into each fine detail of the product's functionality, appearance and performance. So imagine the power of placing sustainability at the heart of those design decisions, making it a 'must' rather than a 'maybe' in every product, service or creative solution. The impact could be vast but is action being taken to embed these principles within design and if so, how far has this movement progressed?
Sustainable design is picking up pace but as Adam Aston writes in his latest blog, long development time frames and gaps in knowledge make commercialisation a tough nut to crack. However, innovation in materials, such as wetsuits made from the Mexican shrub, guayule, or the versatile new building material, Zeoform, made from just cellulose and water, is becoming increasingly talked about in the design sphere. Tackling the knowledge gap that exists between designers and the materials they use, will be vital to finding eco-friendly alternatives to the most unsustainable components within supply chains.

It's not just trained professionals that have the power to influence design though. The open design movement gives citizens the digital tools to create their own products and services and could offer fresh insight and talent. Accessible hardwares and new technologies, such as 3D printing, now allow users to become creators and find their own design solutions. As do initiatives such as the citizen science project, Bee Lab, which calls upon the beekeeping community to develop tools that can be used to gather data on bee health and wellbeing. But what are the risks of handing design over to non-specialists and how could this impact designers?
People-centered design also has huge potential to change behaviour. From a product that makes a green option more appealing to a feature that enables easy repair, designing with user action in mind can create natural shifts in behaviour. A subtle alteration, such as making a computer easy and cheap to fix so that, when it goes wrong, the owner will be repair it rather then replace it, could make a huge difference to combating a global issue such ase-waste in Bangalore.
The yet-to-be-made Phonebloks is another case in point. The concept from designer Dave Hakkens is to build a smart phone made up of easy to replace modular parts and aims to stem the throwaway culture in the smart phone market. Ideas such as this could not just revolutionise markets but also make acting sustainably effortless for consumers.

As we launch our new hub, we'd like to gather your insight on the topic. What do you think lies ahead for sustainable design? What are the challenges facing both business and designers and how can the science behind the products and services we buy help tackle the big global issues of our time? Do you know any examples of innovation in the space or do you have a designer or thought leader you'd like to see write for us?This is why, in partnership with Nike, we are launching a new content hub to focus specifically on sustainability in design. We'll explore topics such as how to embed sustainable design in global supply chains, the impact of digitalisation, design for re-manufacturing and the impact of product life cycle as well as showcasing the latest innovation and best practice in the space. We want to take a challenging and unique approach, laying bare the issues that business, designers and society as a whole face by harbouring insight, debate and thought-leadership on the sustainable design movement.
few importants films and documentries which tell us how to get sustainabilty by design
https://www.ted.com/talks/catherine_mohr_builds_green
https://www.ted.com/talks/kamal_meattle_on_how_to_grow_your_own_fresh_air
https://www.ted.com/talks/rachel_armstrong_architecture_that_repairs_itself
https://www.ted.com/talks/michael_pawlyn_using_nature_s_genius_in_architecture
https://www.ted.com/talks/mike_biddle
https://www.ted.com/talks/eben_bayer_are_mushrooms_the_new_plastic

As the 2012 London Design Festival kicks off this week, one wonders how much has really changed. Are the objects of desire emerging from the festival destined to bulge our landfills or secure our future?
A look at the agenda shows scant reference to sustainability so one can only conclude, and hope, these issues are increasingly integrated rather than dealt with as a stand-alone.

Design matters

The material world that surrounds us – the signs that direct us, the smartphone pages we flick through, the way we use buildings, how we move around cities – is consciously or unconsciously designed. Sometimes this has been done well, but frequently not, even though how things are designed can have significant implications for sustainability.sustainable business
The Department for Environment, Food and Rural Affairs (Defra) estimates that 75% of UK consumers' carbon emissions come from the use of products and services. We also know that 80% of the environmental impacts of those products and services are determined in the early stages of design. These two figures tell us that sustainability is chiefly about stuff and that the impacts of products or services are pretty much designed-in (or out for that matter) from the very outset.
So design really does matter, not only in how we shape and order our world, but also in determining our impact on it. We've made some serious headway on sustainability reporting and monitoring, governance, production, supply chains and communications, but paid much less attention (and allocated less budget) to how we design more sustainable products, services and systems. One probable reason for this, beyond a few notable individuals, is a lack of leading voices on sustainable design as part of the broader debate.
Though design may be guilty of past malpractice (who wasn't?), there's a growing sense that in the next wave of sustainability – focused on creativity, entrepreneurship, innovation and practical solutions – design skills will feature heavily in our toolkit. Californian design professor and Papanek contemporary, Nathan Shedroff, captured this well when he said: "Design is the problem as well as the solution". If environmentalism's success was in spotlighting sustainability problems to the world, the success of design will be in helping deliver solutions.

Why design for sustainability?


Why, you may also ask, should you turn to a designer, rather than a supply chain manager, factory manager, communications/ad agency or technologist? Great design makes the heart beat faster, solves tricky problems creatively, makes weird, new stuff seem normal, makes things cool, can make lives better and make businesses richer. Steve Jobs understood this intuitively in stating that "design is the fundamental soul of the human-made creation", and great design helped Apple become the wealthiest company there is.
It may be fair to ask how much designers have earned the right to play in the sustainability space if they lack sustainability leadership. Yet there are positive signs of change, from the take-up of design methods like Cradle-to-Cradle and biomimicry, through to industry design collaborations like theSustainable Apparel Coalition. From the many thousands of designers voluntarily signing the Designers Accord sustainability principles, to celebrity designers like Philippe Starck, Wayne Hemingway and Yves Behar pinning their colours to the sustainability mast.
We now need to take design way beyond what Apple has done with it and turn its skills whole-heartedly and single-mindedly to the challenges of sustainability. We need people saying "wow," "ah ha", and "yes" to really great sustainable design.

The sustainable design gallery

It's far better and easier to explain design in action, so we put together a series of 12 examples that illustrate our points about design and sustainability in more detail. The gallery chiefly focuses on industrial or product design examples of everyday products and services. Rather than exhaustively detailing these here,take a look at the gallery.
Design is multi-faceted, tackling many types of challenges and sustainability is obviously complex too. The examples in the gallery cover a breadth of areas, from small changes to giant leaps, from redesign to new design, as well as covering a range of different sustainability issues considered and balanced as part of a design brief.

A roadmap for sustainable design

roadmap
 A roadmap for sustainable design. Photograph: Chris Sherwin
To explain the most important ways designers can help build a sustainable future we've created a roadmap for sustainable design. It shows how the sustainability movement can get more out of design, plus the main areas and ways that design needs to step up on sustainability. Over the coming weeks I will unpack this roadmap in more detail in a series of articles covering sustainable design.
Reading Papanek's Design for the Real World as a young design student convinced me that sustainable design was the only route for me, and I've worked in the field ever since.

Wednesday 4 March 2015

thoughts on ambient media,guerrila marketing

Ambient Media started to appear in British media jargon around 1999, but now seems to be firmly established as a standard term within the advertising industry. It is the name given to a new breed of out-of-home products and services determined by some as non-traditional or alternative media. Ambient media advertising can be used in conjunction with mainstream traditional media, or used equally effectively as a stand-alone activity. The key to a successful ambient media campaign is to choose the best media format available and combined with effective message.
However, ambient media advertising is only a niche for advertising agencies of overcoming traditional methods of advertising to get the attention of consumers. Ambient media in a larger scale define the media environment and the communication of information in ubiquitous and pervasive environments. The concept of ambient media relates to ambient media form, ambient media content, and ambient media technology. It's principles have been established by Artur Lugmayr and are manifestation, morphing, intelligence, and experience.
The following are some reasons for the growth of ambient media:
  • A decline in the power of traditional media.
  • A greater demand for point-of-sale communications.
  • Its ability to offer precise audience targeting.
  • Its general versatility.
Ambient advertisements are effective means at pushing a brand message in front of consumers and can develop even better top of mind recall within target audiences. This provides the ability to advertisers to maintain brand awareness created by other advertising efforts. Ambient media can produce mass attention in centralized locations, or directly interact with consumers during normal every day activities.
Examples are messages on the backs of car park receipts, on hanging straps in railway carriages, posters inside sports club locker rooms and on the handles of supermarket trolleys. It also includes such techniques as projecting huge images on the sides of buildings, or slogans on the gas bags of hot air balloons. Ambient media in the field of advertising are often mixed with ambient media developed based on ambient intelligent technology.
Guerrila marketing
Guerrilla marketing was originally a marketing strategy in which low-cost, unconventional means (including the use of graffitisticker bombingflyer posting, etc.) were used in a (generally) localized fashion to draw attention to an idea, product, or service. Some large companies use unconventional advertisement techniques, proclaiming to be guerrilla marketing but those companies will have larger budget and the brand is already visible. Today, guerrilla marketing may also include promotion through a network of individuals, groups, or organizations working to popularize a product or idea by use of such strategies as flash mobsviral marketing campaigns, or internet marketing. The main point of guerrilla marketing is that the activities are done exclusively on the streets or other public places, such as shopping centers, parks or beaches with maximum people access so as to attract much audience.[2] The different types of guerrilla marketing are: Ambient, Ambush, Stealth, viral and the new concept called Street Marketing, coined by Dr. Marcel Saucet, Professor at University of San Diego and Harvard case study lecturer in his book Street Marketing TM, in 2013
The guerrilla marketing promotion strategy was first identified by Jay Conrad Levinson in his book Guerrilla Marketing (1984). The book describes hundreds of "guerrilla marketing weapons" in use at the time. Guerrilla marketers need to be creative in devising unconventional methods of promotion to maintain the public's interest in a product or service. Levinson writes that when implementing guerrilla marketing tactics, smaller organizations and entrepreneurs are actually at an advantage. Ultimately, however, guerrilla marketers must "deliver the goods." In The Guerrilla Marketing Handbook, the authors write: "...in order to sell a product or a service, a company must establish a relationship with the customer. It must build trust and support the customer's needs, and it must provide a product that delivers the promised benefits...". The different strategies of guerrilla marketing are: Ambient Marketing: Ambient communication is a complex form of corporate communication that uses elements of the environment, including nearly every available physical surface, to convey messages that elicit customer engagement. It is a compile of intelligence, flexibility and effective use of the atmosphere. Ambush Marketing: Ambush marketing is a form of associative marketing, utilized by an organization to capitalize upon the awareness, attention, goodwill, and other benefits, generated by having an association with an event or property, without that organization having an official or direct connection to that event or property.Stealth Marketing: Stealth marketing is a deliberate act of entering, operating in, or exiting a market in a furtive, secretive or imperceptible manner, or an attempt to do so.People get involved with the product without them actually knowing that they are the part of advertisement campaign. This needs to be done very carefully because if the participants are made aware of the campaign, it will have a negative effect on the brand. Viral Marketing: Viral marketing describes any strategy that encourages individuals to pass on a marketing message to others, creating the potential for exponential growth in the message’s exposure and influence. Like viruses, such strategies take advantage of rapid multiplication to explode the message to thousands, to millions. Off the Internet, viral marketing has been referred to as "word-of-mouth," "creating a buzz," "leveraging the media," "network marketing." But on the Internet, for better or worse, it’s called "viral marketing." While others smarter than I have attempted to rename it, to somehow domesticate and tame it, I won’t try. The term "viral marketing" has stuck.
  • Street Marketing: According to Marcel Saucet and Bernard Cova,[12] Street Marketing™ can be used as a general term encompassing six principal types of activities:
  • Distribution of flyers or products This activity is more traditional and the most common form of street marketing employed by brands.
  • Product animations This form of operation consists of personalizing a high-traffic space using brand imagery. The idea is to create a micro-universe in order to promote a new product or service.
  • Human animations The goal of such actions is to create a space in which the brand’s message is communicated through human activity.
  • Road shows This form of mobile presentation is based on the development of means of transport: Taxi, bike, Segway, etc.
  • Uncovered actions These activities involve the customization of street elements.
  • Event actions These activities take the form of spectacles, such as flash mobs or contests. The idea is to promote a product, service or brand value through organization of a public event.
BAD ADVERTISMENT
1. It is not believable. For example: Adverts that have scenes of real-life situations where dialogue is most often setup .

2. Lack of authenticity. For example: Adverts that takes focus off of products.

3. Too draggy. Example of good attention time period: 3-5 seconds for printed ads. 30 seconds for radio or televisions.

4. Not creative enough
5. False and misleading commercial
6. Violence and obscene
AND THE NO1 WAS

Newcastle, "If We Made It"

task 7 advertisment


History

Advertising agencies started in the late 1800s and were limited in scope. They did not create ads but simply served as a broker of advertising space in newspapers and magazines. Over time, agencies added creative services to increase revenue.

Function

The main role of an advertising agency is to work with you to develop an advertising campaign. Advertising agencies are staffed with copywriters, art directors and media planners who will create your ads and place them in the appropriate media. The agency will work within the constraints of your advertising budget.

Expert Insight

Each advertising agency specialist is an expert in his area, so in many cases he can perform his particular function better than you might be able to. The copywriter is an expert at using words to persuade a customer to take action. The art director knows what appeals to customers on a visual basis and will incorporate her artistic skills into the ad's design. The media planner knows which type of media -- such as radio, television, newspapers, online or a combination -- is right for the message you are trying to convey and will negotiate to obtain the best possible rates.

Considerations

When dealing with an advertising agency, you'll likely be working with an account executive who serves as a liaison between you and the agency's other personnel. When choosing an ad agency, it is important that you get to know the account executive you'll be working with so that you can develop a strong working relationship and communicate effectively. This will ensure that the agency's creative people will have a clear understanding of what you're trying to accomplish with your ad campaign.

Warning

While advertising agencies can help you reach your business goals, they do present potential drawbacks. Because of the high cost of hiring an agency, it may not be feasible for smaller businesses with limited resources. If an agency hasn't worked with your type of business before, it may not truly understand the nature of your business, which could lead to an ineffective campaign.
GOOD ADVERTISING
No matter the nature of your business, having a solid marketing plan behind you is essential. If you fail to advertise your products and services effectively, it will be difficult for your business to succeed. Understanding what makes a particular advertisement effective allows you to tailor your own marketing plans and achieve better results.

Memorable

In order to be effective, an advertisement has to be memorable for the viewer. If the viewer does not remember the ad after viewing it, the company sponsoring the ad is simply wasting time and their money. With an effective advertisement, the viewer should be able to clearly recall what happened during the course of the ad, and more importantly, which product is being advertised. That recall is the hallmark of an effective advertisement.

Effective Targeting

A big part of developing an effective advertising campaign is knowing exactly who your target audience is. Chances are the product or service you offer will not appeal to everyone, so it is important to identify the segment of the population that is most likely to need what you have to offer. Identifying your target audience also helps you decide which television programs, radio stations and other advertising venues are likely to be the most effective.

Entertaining

An effective ad will inform the consumer about the product or service you have to offer, but that advertisement also need to entertain the potential buyer. Capturing the attention of the consumer is essential for an effective ad, and the more entertaining your can make that ad the more effective it can be. If it is appropriate, try to incorporate an element of humor into your ad, since that humor helps to capture and hold the attention of the viewer or listener. Creating a parody of recent events is often a good way to incorporate humor into your advertising campaign.

Grabbing Attention

No matter how good your ad may be, it will do your company no good if no one sees it. An effective advertising campaign needs to engage the interest of the viewer with an attention grabbing design. Getting the attention of those potential customer is essential, so it pays to test several different designs and choose the one that is the most eye-catching.
10 BEST ADS OF 2014 
MUST WATCH

Most Shocking Second a Day Video

Coca-Cola Life - Ser padres

FIRST KISS

John Lewis Christmas Advert 2014 - #MontyThePenguin

Misty Copeland - I WILL WHAT I WANT

Beats by Dre | The Game Before The Game

Lurpak Cook's Range - Adventure Awaits

World's Toughest Job - #worldstoughestjob - Official Video

Wednesday 25 February 2015

packaging task6

People are visual creatures by nature. What differentiates a bad company from a good company is the fact that the latter knows how to attract customers’ attention with the help of packaging design. While an interesting and eye-catching logo does play a big part in marketing a product, nothing comes as close as the effects a visually appealing and striking design has on prospective customers.

Why is it So Important?

Customers are drawn, more than anything, to products that look good. Something that is well designed and interesting is bound to attract more potential customers than a product that is poorly designed and looks bland. This is the importance of packaging design. It is, after all, the key part in marketing a product and ensuring it sells. It is also the key part in associating a brand to a certain thing – be it a color or a font. What that means, essentially, is that customers that are drawn to a package are bound to remember it later down the road before coming back to the product.

Packaging Design: Where it Begins

A good design should always reflect the product and the creativity and personality of the company. There is more, however, to packaging design than simply ensuring a package looks appealing. There is a whole science behind it – from the shape of the package to the materials used without forgetting of course its functionality. For example, of the many things to take into consideration when creating a package, one of the most important things to remember is certainly the protection it offers to the product. There is no point in making a package look visually interesting if it is unable to do what it was intended to do in the first place.

How to Make the Perfect Packaging Design

Many research studies have been done on the importance of packaging design, and if there is something they all have found, it is that simplicity sells. What people want, more than anything, is to get the information in a quick and simple way. Though it starts by attracting their attention through the means of elegant and eye-catching packaging, clearly labeling what the product is about is of the utmost importance. Companies want people to buy their products – they do not want people to walk away and buy a competing product merely because the information can be accessed more quickly on their package.

What Customers Want

Other than simplicity, customers also want honesty and authenticity. In other words, they want to know for a fact that the product that is labelled on the packaging is clearly the product that can be found inside. For that to happen, companies should always ensure the package makes them look trustworthy. This can be achieved by making sure the package is made of the highest quality materials available. Good packaging should also reflect the personality of the company. If a company is green and modern, then the packaging should be recyclable and innovative.
There is no denying the fact that a logo plays a vital part when it comes to marketing, but the power a visually appealing package has on customers cannot be compared to it. Customers want to associate a product with something positive, and the packaging design is often the first thing that comes to their mind.
CHARACTERSTICS OF PACKAGING DESIGNER
Good design makes a product useful –  A product is bought to be used. Good design emphasizes the usefulness of a product while disregarding anything that could possibly detract from its usefulness.
Good Design is Innovative – Innovation does not only imply something new,  it also means product refinement. Good design usually comes from resourceful and creative people who take inventions and perfect them. In 1779, Samuel Crompton of Lancashire  invented the spinning mule, which made possible the mechanization of cotton manufacture. Yet the innovation was continued by Henry Stones, of Horwich, who added metal rollers to the mule; and James Hargreaves, of Tottington, who figured out how to smooth the acceleration and deceleration of the spinning wheel; and William Kelly, of Glasgow, who worked out how to add water power to the draw stroke; and John Kennedy, of Manchester, who adapted the wheel to turn out fine counts; and, finally, Richard Roberts, also of Manchester, a master of precision machine tooling who created the “automatic” spinning mule: an exacting, high-speed, reliable rethinking of Crompton’s original creation. Such men provided the micro inventions necessary to make macro inventions highly productive.
Good Design Makes a Product Understandable – Good design emphasizes simplicity and clarifies the product’s structure and use. At best, it is self-explanatory and intuitive. No one likes things that are tricky to operate. Good design typically provides a high quality user manual, instructions, or user interface.
Good Design is Aesthetic – The aesthetic quality of a product is integral to its usefulness because products we use every day affect our well-being. Objects of beauty generate feelings of delight and pleasure, but only well-executed objects can be beautiful.
Good Design Makes Products Easy to Transport, Store, and Maintain – Good design reduces or eliminates tedious drudgery associated with the maintenance of a product (i.e., the cleaning of the object is designed to be quick and easy). Good design packages a product in a way that is small, stackable, standardized, easy to load on a truck or train and therefore easy to transport.
Good Design is Long-Lasting – Unlike fashionable design, products with good design are built to last many years. Planned obsolescence is when a product or part is made that is designed to fail, or become less desirable over time or after a certain amount of use. Our culture is trending toward a throwaway society based on over-consumption and excessive production of short-lived or disposable items. Non-durable goods (products used less than three years) make up 27% of all municipal solid waste, with durable goods making up 16%. Economic growth built on made-to-break products, planned obsolescence, and fashion is wasteful.
Good Design is Environmentally Friendly – The population is 7 billion, and we’re expected to reach 9.2 billion by 2050. The planet is naturally able to absorb and cleanse a certain amount of pollution, but with this many people on the earth, we risk environmental degradation. Good design makes an important contribution to the preservation of the environment. It conserves resources and minimizes physical and visual pollution throughout the lifecycle of the product. Products that take into account the environment are easy to recycle, made sustainably, and use materials with optimal properties. Architects are now designing buildings and communities using green architecture techniques. Architects and designers need to take a leadership role in designing buildings and communities that encourage the cultural change required to restore environmental sustainability. Poor design is responsible for many, if not most, of our environmental problems. Good design minimizes a product’s packaging; containers and packaging now represent 32% of all municipal solid waste.
Good Design is Less Design – Less is more. Good design is well-edited, concentrating only on the essentials. Truly great products are sleek, essential and easy to use.  There’s an honesty in good design–it does not try to make a product more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer.
Good Design is Thorough, Down to the Last Detail – Nothing is arbitrary. Care and accuracy in the design process shows respect towards the consumer.
While there are many forms of sustainable packaging, understanding what it is, how it is used and what makes it better for humans and the planet than conventional packaging is the first step to wider use.
While green packaging, which is also known as sustainable packaging, are commonly known terms in use today, a significant number of people struggle with their meaning. Green packaging is the use of manufacturing methods and materials for packaging of goods that has low impact on the environment and energy consumption. In other words, sustainable packaging uses environmentally-sensitive methods, including energy efficiency, recyclable and biodegradable materials, down-gauging, reusability and much more.
The importance of green packaging to humans and our environment is incalculable. A great deal of energy is used in the production of traditional packaging such as plastics, corrugated boxes, plastic bags, and other packaging. Most often, the source of that energy is fossil fuels that add millions of metric tons of carbon dioxide and methane into the atmosphere per year while discarded conventional packaging ends up in landfills or oceans causing soil, water, and plant contamination.
By using sustainable packaging, manufacturers and consumers can eliminate these contaminants that destroy the atmosphere, soil and water of our planet. This can be done via use of lowering packaging content, creation of recyclable or biodegradable packaging, and use of alternative energy means such as wind, solar and biofuels in the production and transport of the packaging.
Plastics made from polyethylene are among the most widely used packaging today and among the greatest threat to our environment. Increasingly, manufacturers are utilizing recycled, recyclable and minimalist packaging wherever appropriate. Biodegradable plastics are also in use with mixes of plant-based plastics that replace some or most of the non-renewable petroleum or fossil-based resources used in conventional PET plastic (A type of plastic resin widely used in plastic bottles).
Today’s plastic bags from an increasing number of manufacturers are meeting the sustainable packaging threshold with use of Post-Consumer Recycled Polyethylene (PCR PE), which are plastics made from the consumer stream of waste such as bottles, caps and recycled plastic bags collected in commercial and residential recycling programs. Additives are used by some manufacturers to make the plastic bag biodegradable so that it breaks down over a shorter time when disposed of in a landfill.
When it comes to cardboard packaging, major manufacturers are creating corrugated cardboard from 100-percent postconsumer recycled fiber or virgin mixed with recycled fiber to create corrugated cardboard that is also completely recyclable and biodegradable. Many more are reducing or even eliminating the amount of corrugated cardboard they use in packaging, replacing it with foam blocks at corners and bands around the product. The foam is lighter than the corrugate and reduces shipping costs and damage that can occur during loading/unloading and transportation.
There is even sustainable packaging in the areas where molded packaging is used such as egg carton containers and consumer product packaging. The use of 100-percent recycled newspaper, which is mixed into a slurry with water, and vacuum-formed on screened molds creates molded fiber packaging that is resilient and strong enough to compete with most vacuum-formed plastic, expanded polystyrene (EPS), and corrugated designs. The used product has a high recyclability factor and significantly cuts the energy consumption needs in the production over conventional packaging.
This is really only a primer on green packaging and the materials and uses that make it sustainable packaging. As more Americans increase their understanding of the importance of sustainable packaging and more manufacturers increase their use, we can ensure a future with clean water, air, and soil for all.